Checklist for talks with overhead
projectors:
Professor
Jim Yorke, University of Maryland
A live test audience
All mathematicians and scientists
hear many unintelligible talks by professional speakers (i.e.,
professors) who think they are being clear. I believe these occur
because the speaker did not get adequate feedback while preparing.
All talks should be tested on live audiences. In our seminar
students must Pre-test talks with an audience of students before the
announced version is given, even if that is also a practice for a
talk at meeting. Speakers are frequently amazed to find out that
their basic material is not known by the audience.
The test talk is primarily for intelligibility, not timing, and is
to see what kind of difficulty an audience would have with your
explanations. Hence the test audience should speak up when they do
not understand what is being said, not hold questions until the end.
Feedback: When you sit through a
lecture that nobody understands, as often happens, it is almost
always because the speaker does not know that he/she is being
unintelligible. When you give a talk, do NOT ask if it was OK. That
will usually yield a positive response. Instead ask what was wrong
with the talk. Tell people you are going to give it again and need
feedback. It is good if you can tell them this before you give the
talk so they take notes.
If you give a practice talk that
is judged a failure, don't worry about it; just fix it. It is the
final talk that counts. I once tested a talk on test audiences
before the real event.
The Main Point
Have a clear idea of what the main
point is in your talk and tell the audience early in the talk. You
may get lots of questions because some of the audience is lost, and
you may run out of time before the talk is over, so be sure that
your main point is early enough in the talk that it does not get
lost if the talk ends early.
Outline? Pare down to the Essence
Don't waste time in an early talk
outlining your talk. People who present outlines in short talks
rarely get through the material outlined. More generally a major art
in giving a talk is seeing how much material can be omitted. For
each transparency, ask if there is a way not to present the material
or explain it more briefly. You should be aiming at explaining one
central idea or achievement. Talks sometimes begin with unessential
material. When the audience interrupts with numerous questions about
what the speaker has said, the talk never gets to the essence and is
a disaster.
Practice with Overhead Projectors
Practice using two overheads if you
can have two in the final talk.
There is a strange resistance among
many speakers to use more than one overhead projector, as if the
audience could perfectly remember the previous material. Yet if they
were lecturing on a black board and had only one meter-square panel,
they would find it constricting to have to erase the board every
couple of minutes. The audience will appreciate the use of two even
if your initial reaction as speaker is that only one is needed.
The simplest approach is to
alternate between projectors, putting the first transparency on one
and the second on the other. When one projector is brighter or
better than the other, just put the new transparency on the better
projector and the previous one on the backup. When a particularly
central transparency is encountered it can be left for a longer time
on the backup projector.
Your test audience should criticize
you when you if you stand in the way of some of the audience,
blocking either screen. Point to material on the screen if possible
and not to the transparency on the overhead projector since then you
will be blocking your audience's view. Practice with an audience
distributed to the far left and right and in front and do not block
any of the audience.
Credits
Make sure the audience knows what
YOU have done and what part of your material has been done by
others; in particular distinguish background material from your
material. Don't be shy about claiming credit.
Give credit to people who did the
background work by name at least; (it is usually cumbersome to give
a full reference, tho it is good to have available.) If you don't
give credit, someone will think you did that work and are claiming
credit it for it.
Voice
Speak uniformly loudly. Some
speakers drop their voices at parts of sentences. It does not
suffice to say 90% of a sentence loudly. When answering a question
of someone sitting in the front, keep you voice loud so that they
whole audience can hear you, and remember that many have probably
not heard the question.
Eye contact
Make frequent eye contact with the
audience. See if you can interact with the audience.
Transparencies
Transparency titles
Each transparency should have a
title. It should tell the audience what they are looking at, what
the point is of the transparency, and it should be underlined so
that it is clear it is a title.
Double Size type
ALL type on a transparency should
be visible from the back of the room. Never use unenlarged
typescript in a transparency. It might work in some small rooms with
some overheads but usually it fails. Type should be enlarged from
regular print by at least a linear factor of 2, so your font should
permit at most 40 characters for the width of the page.
It is important to keep the total
amount of text on a transparency small; but also assume that the
audience is much less likely to understand a point that you say than
if you write and talk about it.
If a figure you copy has some small
type (such as scales), wipe it out before making the transparency
and re-write the material by hand in large visible letters.
Erase material that you do not want
to draw to the attention of the audience to.
Color
Use some color. If your
transparencies are black and white, then underline in color, use
color boxes and write over some letters in color.
Number your transparencies
Number your transparencies so that
when they get mixed up, they are easy to sort for your next
presentation.
Many speakers seem more concerned
about keeping transparencies in order than in keeping them in front
of the audience; they remove a transparency the second they finish
talking about it, giving the audience no time to really see and
understand what was written; then they take several seconds
finishing some comments and putting down the transparency, and
picking up a new one. Instead you should pick up your next
transparency before you take the previous one off, so you can keep
your material in front of people for a maximum time.
Apologies?
Do not apologize in your talk for
anything, for example, for having forgotten to say something
earlier. If you forgot, just say "Now is a good time to tell you
...". They won't know that you think you screwed up. You are
supposed to give an appearance of mastery. Do not apologize even for
having the sniffles, since you just draw the audiences attention to
it. If you have failed despite the above paragraph above to get to
your main point, don't tell the audience that you didn't get to your
main point. That is just telling them that they wasted their time
listening to you. Hopefully they enjoyed what they did hear.
Repeat key ideas
Find the places where you present
ideas, equations, or definitions at the bottom of a transparency;
after you introduce it in your talk, the audience might have 5
seconds after you go over it to understand before you grab the sheet
from the screen; so figure out how to extend the time they have to
understand it. For example discuss some illuminating aspect of it.
If you plan to cover up the bottom
of a transparency and show only the top, make an extra copy with
just the material on the top; hence the next slide will duplicate
the top and continue on. One slide can thus be broken into several
stages. Many audience members dislike seeing large parts of the
screen blacked out; it creates a dark room with only a slice of
transparency showing.
Graphs and Figures
Your graphs should be intelligible.
If you are using a logarithmic scale, don't write the values of the
logs. write for example 1 10 100 1000 Etc. When people instead write
logs base e instead of actual values, they are presenting material
they cannot expect the audience to understand. In such a talk would
you know what exp(6) is for example? (Ans.: exp(3) is about 20 so
exp(6) is 400)
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